Leo Tolstoy

Count Lev Nikolayevich Tolstoy was a Russian writer – novelist, essayist, dramatist and philosopher – pacifist Christian anarchist and educational reformer. He is perhaps the most influential member of the aristocratic Tolstoy family.

As a fiction writer Tolstoy is widely regarded as one of the greatest of all novelists, particularly noted for his masterpieces War and Peace and Anna Karenina. In their scope, breadth and realistic depiction of 19th-century Russian life, the two books stand at the peak of realistic fiction. As a moral philosopher Tolstoy was notable for his ideas on nonviolent resistance through works such as The Kingdom of God is Within You, which in turn influenced such twentieth-century figures as Mohandas K. Gandhi and Martin Luther King, Jr.

Novels and fictional works

Tolstoy's fiction consistently attempts to convey realistically the Russian society in which he lived. Matthew Arnold commented that Tolstoy's work is not art, but a piece of life. Arnold's assessment was echoed by Isaak Babel who said that, "if the world could write by itself, it would write like Tolstoy".

His first publications were three autobiographical novels, Childhood, Boyhood, and Youth (1852–1856). They tell of a rich landowner's son and his slow realization of the differences between him and his peasants. Although in later life Tolstoy rejected these books as sentimental, a great deal of his own life is revealed, and the books still have relevance for their telling of the universal story of growing up.

Tolstoy served as a second lieutenant in an artillery regiment during the Crimean War, recounted in his Sevastapol Sketches. His experiences in battle helped develop his pacifism, and gave him material for realistic depiction of the horrors of war in his later work.

The Cossacks (1863) is an unfinished novel which describes the Cossack life and people through a story of Dmitri Olenin, a Russian aristocrat in love with a Cossack girl. This text was acclaimed by Ivan Bunin as one of the finest in the language. The magic of Tolstoy's language is naturally lost in translation, but the following excerpt may give some idea as to the lush, sensuous, pulsing texture of the original:

Along the surface of the water floated black shadows, in which the experienced eyes of the Cossack detected trees carried down by the current. Only very rarely sheet-lightning, mirrored in the water as in a black glass, disclosed the sloping bank opposite. The rhythmic sounds of night — the rustling of the reeds, the snoring of the Cossacks, the hum of mosquitoes, and the rushing water, were every now and then broken by a shot fired in the distance, or by the gurgling of water when a piece of bank slipped down, the splash of a big fish, or the crashing of an animal breaking through the thick undergrowth in the wood. Once an owl flew past along the Terek, flapping one wing against the other rhythmically at every second beat.

War and Peace is generally thought to be one of the greatest novels ever written, remarkable for its breadth and unity. Its vast canvas includes 580 characters, many historical, others fictional. The story moves from family life to the headquarters of Napoleon, from the court of Alexander I of Russia to the battlefields of Austerlitz and Borodino. The novel explores Tolstoy's theory of history, and in particular the insignificance of individuals such as Napoleon and Alexander. But more importantly, Tolstoy's imagination created a world that seems to be so believable, so real, that it's not easy to realize that most of his characters actually never existed and that Tolstoy never witnessed the epoch described in the novel.

Somewhat surprisingly, Tolstoy did not consider War and Peace to be a novel (nor did he consider many of the great Russian fictions written at that time to be novels). It was to him an epic in prose. Anna Karenina (1877), which Tolstoy regarded as his first true novel, was one of his most impeccably constructed and compositionally sophisticated works. It tells parallel stories of an adulterous woman trapped by the conventions and falsities of society and of a philosophical landowner (much like Tolstoy), who works alongside the peasants in the fields and seeks to reform their lives. His last novel was Resurrection, published in 1899, which told the story of a nobleman seeking redemption for a sin committed years earlier and incorporated many of Tolstoy's refashioned views on life. An additional short novel, Hadji Murat, was published posthumously in 1912.

Tolstoy's later work is often criticised as being overly didactic and patchily written, but derives a passion and verve from the depth of his austere moral views. The sequence of the temptation of Sergius in Father Sergius, for example, is among his later triumphs. Gorky relates how Tolstoy once read this passage before himself and Chekhov and that Tolstoy was moved to tears by the end of the reading. Other later passages of rare power include the crises of self faced by the protagonists of After the Ball and Master and Man, where the main character (in After the Ball) or the reader (in Master and Man) is made aware of the foolishness of the protagonists' lives. The Death of Ivan Ilyich is perhaps the greatest fictional meditation on death ever written.

Tolstoy had an abiding interest in children and children's literature and wrote tales and fables. Some of his fables are free adaptations of fables from Aesop and from Hindu tradition.